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| | Geoffrey <b>Chaucerb> - Wikipedia, the free encyclopedia |
 | | <b>Chaucerb>'s early popularity is attested by the many poets who imitated his works. |  | | In 1324 John <b>Chaucerb>, Geoffrey's father, was kidnapped by an aunt in the hope of marrying the twelve year-old boy to her daughter; an attempt to keep property in Ipswich. |  | | <b>Chaucerb> is best known as the author of The Canterbury Tales. |
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http://en.wikipedia.org/wiki/Geoffrey_Chaucer
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| | MSN Encarta - <b>Chaucerb> |
 | | <b>Chaucerb>, Geoffrey (1343?-1400), one of the greatest English poets, whose masterpiece, The Canterbury Tales, was one of the most important influences on the development of English literature. |  | | <b>Chaucerb> greatly increased the prestige of English as a literary language and extended the range of its poetic vocabulary and meters. |  | | <b>Chaucerb> served as controller of customs for London from 1374 to 1386 and clerk of the king's works from 1389 to 1391, in which post he was responsible for maintenance of royal buildings and parks. |
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http://encarta.msn.com/encyclopedia_761562849/Geoffrey_Chaucer.html
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| | <b>Chaucerb>, Geoffrey. The Columbia Encyclopedia, Sixth Edition. 2001-05 |
 | | <b>Chaucerb>s second period (up to c.1387) is called his Italian period because during this time his works were modeled primarily on Dante and Boccaccio. |  | | <b>Chaucerb>s chief works during this time are the Book of the Duchess, an allegorical lament written in 1369 on the death of Blanche, wife of John of Gaunt, and a partial translation of the Roman de la Rose. |  | | To <b>Chaucerb>s final period, in which he achieved his fullest artistic power, belongs his masterpiece, The Canterbury Tales (written mostly after 1387). |
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http://www.bartleby.com/65/ch/Chaucer.html
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| | GradeSaver: ClassicNote: Biography of Geoffrey <b>Chaucerb> |
 | | <b>Chaucerb>'s next work was Troilus and Criseyde, which was influenced by The Consolation of Philosophy, written by the Roman philosopher Boethius in the early sixth century and translated into English by <b>Chaucerb>. |  | | <b>Chaucerb> did not complete the full plan for the tales, and surviving manuscripts leave some doubt as to the exact order of the tales that remain. |  | | <b>Chaucerb>'s first published work was The Book of the Duchess, a poem of over 1,300 lines that is an elegy for the Duchess of Lancaster. |
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http://www.gradesaver.com/ClassicNotes/Authors/about_geoffrey_chaucer.html
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| | CATHOLIC ENCYCLOPEDIA: Geoffrey <b>Chaucerb> |
 | | The standard recent editions of <b>Chaucerb> are: (1) "<b>Chaucerb>'s Canterbury Tales Annotated and Accented, with Illustrations of English Life in <b>Chaucerb>'s Time. |  | | Gascoigne tells us that his contemporary, Thomas <b>Chaucerb> was the poet's son. |  | | In the course of them, <b>Chaucerb> disclaims of his books "thilke that sounen in-to sinne" i.e., those which are consonant with, or sympathetic with sin. |
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http://www.newadvent.org/cathen/03642b.htm
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| | Geoffrey <b>Chaucerb> - Books and Biography |
 | | <b>Chaucerb> took his narrative inspiration for his works from several sources, including the Romance of the Rose by Guillaume de Loris, Ovid's poems, and such Italian authors as Dante, Petrarch, and Boccaccio. |  | | The last years of his life <b>Chaucerb> lived at Greenwich, "an Inne of Shrews," as the Host calls it in the Canterbury Tales, referring perhaps to the occasion when he was held up or mugged there, not once but twice in the same day. |  | | Soon afterward <b>Chaucerb> translated the Consolation of Philosophy by Boethius, and wrote the poem Parliament of Birds. |
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http://www.readprint.com/author-18/Geoffrey-Chaucer
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| | Renaissance <b>Chaucerb> |
 | | Laughter in the Courts of Love: Comedy in Allegory, from <b>Chaucerb> to Spenser. |  | | Strategies of Poetic Narrative: <b>Chaucerb>, Spenser, Milton, Eliot. |  | | Chivalry in English Literature: <b>Chaucerb>, Malory, Spenser, and Shakespeare. |
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http://www.vanderbilt.edu/AnS/english/plummerj/rennchau.htm
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| | Geoffrey <b>Chaucerb>: General Introduction |
 | | <b>Chaucerb> was following in the footsteps of Dante in his attempt to form vernacular English into a poetic language able to stand beside the language of Virgil and the classics. |  | | <b>Chaucerb> leads the reader to the point where the ability of any fictional tale to tell the truth is challenged, though not necessarily as radically denied as the Parson would wish. |  | | <b>Chaucerb>'s earliest works may be termed "occasional poetry", if we accept that the Book of the Duchess was written to console John of Gaunt on the death of his wife Blanche in 1369, and if the Parliament of Fowls was written to mark the marriage of Richard II in 1382. |
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http://www.sogang.ac.kr/~anthony/Chaucer
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| | GEOFFREY <b>CHAUCERb> |
 | | <b>Chaucerb> wrote in Middle English, a language used from the 1100s to the end of the 1400s. |  | | <b>Chaucerb> knew the work of French and Italian writers as well as that of English ones. |  | | GEOFFREY <b>CHAUCERb> (1340~-1400) was a Medieval English writer whose poetry ranks with Shakespeare's, and Whitman's, as the finest ever written in our language. |
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http://www.byu.edu/ipt/projects/middleages/People/Chaucer.html
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| | Amazon.com: Books: The Canterbury Tales (Bantam Classics) |
 | | <b>Chaucerb> writes about everyman and his stories represent one of the motliest crews in English literature: the Wife of Bath who has put away five husbands and is looking for a sixth; the pardoner, the reeve, the clerk, the knight, and a host of others from all walks of life. |  | | While Cohen admits that "<b>Chaucerb>'s words are best," her prose adaptation of four of his tales captures the zest and vigor of Middle English and makes his stories accessible to the modern child. |  | | <b>Chaucerb> is one of the first great English authors of name; most (but not all) literary output in English prior to this time was anonymous. |
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http://www.amazon.com/exec/obidos/tg/detail/-/0553210823?v=glance
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| | <b>Chaucerb> and The Canterbury Tales |
 | | <b>Chaucerb> the Pilgrim is the narrator of the tales, and he must give an accurate description of what is going on, even if he disagrees with the character's action. |  | | The role of <b>Chaucerb> in the Canterbury Tales is extremely important. |  | | The narrator of the tales is Geoffrey <b>Chaucerb> himself: but he speaks though a variety of media: "...<b>Chaucerb>'s pilgrim narrators represent a wide spectrum of ranks and occupations. |
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http://www.csis.pace.edu/grendel/projs2c/ch3.html
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| | The Digital Mirror - Manuscripts - <b>Chaucerb> |
 | | Amongst other <b>Chaucerb> manuscripts in the Library's collections are three exemplars of his Tretyse on the Astrolabe, all with Welsh associations: Peniarth 359, NLW 3049D and NLW 3567B; the last of which was in the possession of John Edwards of Chirk, Denbighshire, as early as 1551. |  | | <b>Chaucerb>'s work is permeated by humour, often a rough, vulgar humour, and he even pokes fun at himself on several occasions. |  | | Geoffrey <b>Chaucerb> (before 1346-1400) is considered to be the best English poet of the Middle Ages. |
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http://www.llgc.org.uk/drych/drych_s007.htm
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| | <b>Chaucerb>, Geoffrey -- Encyclopædia Britannica |
 | | The type was established in The Monk's Tale from Geoffrey <b>Chaucerb>'s The Canterbury Tales. |  | | He was a contemporary of Geoffrey <b>Chaucerb> and imitated <b>Chaucerb>'s style. |  | | For six centuries Geoffrey <b>Chaucerb> has retained his status in the highest rank of the English poets. |
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http://www.britannica.com/eb/article-9108409
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| | A <b>Chaucerb> Chronology |
 | | <b>Chaucerb> borrows against his annuity; action for debt against <b>Chaucerb>; letters of protection from the King. |  | | Januage 16-March 9: <b>Chaucerb> in France concerning marriage of Richard to French king's daughter Marie. |  | | Katherine Swynford, sister of Philippa <b>Chaucerb>, bears first son by Gaunt. |
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http://www.umm.maine.edu/faculty/necastro/chaucer/chronology.asp
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| | EXEMPLARIA: Teaching <b>Chaucerb> in the 90s Pre-print |
 | | While the uncritical praise of his pilgrims by <b>Chaucerb> the naive pilgrim-narrator is qualified by numerous ironies, <b>Chaucerb>'s generosity also reassures the reader of the author's trust in the healing power of the pilgrimage, not a small part of which springs from the fellowship the pilgrims share in telling and responding to their tales. |  | | <b>Chaucerb> is not only aware of the traditional roles of medieval poets, story-tellers and church authors as exponents of generic manipulation, he will not let his audience escape without being bombarded by two, three, or more discrete discursive modes at the same time. |  | | Particularly applicable is the possibility that the expanding personalities of the pilgrims and the scope of their tales overwhelmed <b>Chaucerb>'s original plan for two tales per pilgrim. |
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http://www.english.ufl.edu/exemplaria/sympo.html
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| | <b>Chaucerb>, Geoffrey on Encyclopedia.com |
 | | Providence and incest reconsidered: <b>Chaucerb>'s poetic judgement of his Man of Law. |  | | GEOFFREY <b>CHAUCERb>; Examining the varied life of the poet who wrote "The Canterbury Tales.".(BOOKS) |  | | Fabliau plotting against romance in <b>Chaucerb>'s 'The Knight's Tale.' (Geoffrey <b>Chaucerb>) |
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http://www.encyclopedia.com/html/C/Chaucer.asp
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| | The Canterbury Tales by Geoffrey <b>Chaucerb>: A searchable online version at The Literature Network |
 | | Despite this complacent assurance, the obvious fact is, that <b>Chaucerb> in the old forms has not become popular, in the true sense of the word; he is not "understanded of the vulgar." In this volume, therefore, the text of <b>Chaucerb> has been presented in nineteenth-century garb. |  | | <b>Chaucerb>'s base humour was not of the "wink-nudge" innuendo sort, rather it was pure vulgarity. |  | | especially how <b>chaucerb> satirizes people in them....and the tale each person says kind of give us and idea of how that person's quality is. we are suppose to read atleast three tales of it and write an essay on "male-female relationships" of that age. |
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http://www.online-literature.com/chaucer/canterbury
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| | The Print and The Book: The Kelmscott <b>Chaucerb> |
 | | Morris' goal in printing his <b>Chaucerb> was to produce not just a book, but a work of art, worthy of the quality of the earliest books, which Morris considered the golden era of book design and printing. |  | | After a quick glance at the Kelmscott <b>Chaucerb>, one might think the book was printed in the 15th or 16th century, not long after the printing of the Gutenberg Bible. |  | | The opening title page of the Kelmscott <b>Chaucerb> is representative of all of Morris' ideals of the book. |
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http://wt.mit.edu/~subway/Prints/chaucer.html
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| | ENL 4311 <b>Chaucerb>'s Women |
 | | <b>Chaucerb> / <b>Chaucerb>'s Women is intended to make the lives of these and other women, many of which are drawn from the legendary past shared by <b>Chaucerb> and Christine de Pizan, accessible to twenty-first century readers. |  | | Anyone who ever met Alisoun of <b>Chaucerb>'s Miller's Tale in a sophomore survey class is likely to remember her, but seeing her alongside her counterpart in Boccaccio's Decameron may make the reasons she is memorable more apparent. |  | | As the <b>Chaucerb>'s Women Table of Contents presented below will indicate, our course will begin with consideration of the roles <b>Chaucerb> played in some of his short poems and end with three judgmental perspectives from which his characters' lives can be viewed. |
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http://www.clas.ufl.edu/users/mnelson/enl4311.html
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| | The Classic Text: Geoffrey <b>Chaucerb> |
 | | merging from the manuscript tradition, early printed editions of <b>Chaucerb> borrowed heavily from the elaborate illustrations found in manuscript copies. |  | | This tradition has continued throughout the history of <b>Chaucerb> editions, until the twentieth century when production costs and larger press runs made illustrations prohibitively expensive. |  | | Scholars feel The Canterbury Tales reached their instant and continued success because of their accurate and oftentimes vivid portrayal of human nature, unchanged through 600 years since <b>Chaucerb>'s time. |
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http://www.uwm.edu/Library/special/exhibits/clastext/clspg073.htm
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| | <b>Chaucerb>'s Books |
 | | Welcome to <b>Chaucerb>'s, an old fashioned bookstore crammed floor to ceiling with books (over 150,000 titles), and our warm, knowledgeable cast of characters ready to help you choose just the right one. |  | | <b>Chaucerb>'s is one of California's largest full-service independent bookstores... |  | | Here's what the folks are <b>Chaucerb>'s are reading... |
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http://chaucers.booksense.com/NASApp/store/IndexJsp
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| | Bibliography on <b>Chaucerb> |
 | | Commentaries, illustrated from medieval MSS., on the background to the Knight's Tale, the Miller's Tale, the Man of Law's Tale, the Clerk's Tale, the Second Nun's Tale, the Friar's Tale, the Nun's Priest Tale, the Reeve's Tale, the Franklin's Tale, the Wife of Bath's Tale, and <b>Chaucerb>'s Tale of Melibee. |  | | Organized by topic: reference; history; social and ideological background (general, racial myths, women in the middle ages, love and marriage, sumptuary laws, the supposedly flat earth), linguistic background, literary background, and individual authors (Boethius, Ovid, the Roman de la rose, <b>Chaucerb>). |  | | Not intended for a bibliography, but does serve as a quick checklist of book-length <b>Chaucerb> studies that have proven their utility to students. |
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http://www.geoffreychaucer.org/bibliography
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| | Amazon.co.uk: Books: <b>Chaucerb> (Brief Lives S.) |
 | | By the end of this book, I felt that knew as much about <b>Chaucerb> the man, his literature and his life as if I had made a prolonged study of the subject. |  | | Peter Ackroyd's most recent novel is The Clerkenwell Tales, set in <b>Chaucerb>'s London. |  | | Canterbury Tales (Everyman's Library Classics); Hardcover ~ Geoffrey <b>Chaucerb>, Derek Pearsall (Introduction) |
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http://www.amazon.co.uk/exec/obidos/ASIN/0701169850
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| | NetSERF: People: Authors: <b>Chaucerb>, Geoffrey (1340-1400) |
 | | A simple glossary to a number of Middle English terms that appear in <b>Chaucerb>'s works. |  | | At the moment the site concentrates on the Canterbury Tales, but the longer-term goal is to create a more general <b>Chaucerb> page." |  | | "Reaping what is sown: Spenser, <b>Chaucerb> and The Plowman's Tale" by David Paul Clark |
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http://www.netserf.org/People/Authors/Chaucer
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