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| | Chaucer'<b>sb> Tale of Sir Topas - Wikipedia, <b>theb> free encyclopedia |
 | | Sir Topas is Chaucer'<b>sb> tale in <b>Theb> Canterbury Tales (1387). |  | | <b>Theb> tale is a parody of Romances, with their knights and fairies and absurdities, and Chaucer <b>theb> author satirizes not only <b>theb> grandiose, Gallic romances, but also <b>theb> readership of such tales; timid men and women of learning. |  | | <b>Theb> tale is a hodgepodge of many of <b>theb> popular stories of <b>theb> time which even apes their simple rhymes, a style Chaucer uses nowhere else. |
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http://en.wikipedia.org/wiki/Chaucer's_Tale_of_Sir_Topas
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| | Bath Summary Tale Wife » California Body Care |
 | | Canterbury Tales <b>Theb> summary 16 <b>Theb> Merchants Tale... |  | | Chaucer, Canterbury Tales, "Wife of BathâÂ?Â?<b>sb> Prologue and Tale" Genre: <b>Theb> prologue might be called a fictional autobiography, a confession, a mock sermon (Patterson) or an apologia (L.,... |  | | Chaucer, Canterbury Tales, âÂ?Â?Wife of BathâÂ?Â?<b>sb> Prologue and TaleâÂ? |
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http://www.californiabodycare.com/reference/bath_spa/22/bath-summary-tale-wife.html
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| | Studying <b>theb> Wife of Bath'<b>sb> Tale |
 | | <b>Theb> prologue is by far <b>theb> longest in <b>Theb> Canterbury Tales, and in it <b>theb> Wife expresses views which she, so to speak, proves in her tale: indeed, one might see <b>theb> Tale as a parable, <b>theb> moral or point of which she has already stated in her Prologue and proved in her experience. |  | | For most tales <b>theb> prologue is usually an instructive introduction to <b>theb> tale; here <b>theb> tale is more of a sequel to <b>theb> prologue, which is of more interest to <b>theb> Wife'<b>sb> hearers and us, <b>theb> modern readers. |  | | In <b>theb> Prologue to <b>theb> Tale, Chaucer enables us to see <b>theb> Wife'<b>sb> character in two ways: first, we have her own account of <b>theb> sort of person she has been, and is; second, we see this substantiated by <b>theb> manner in which she delivers her account of her past exploits. |
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http://www.eriding.net/amoore/poetry/wifebath.htm
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| | tgmla.htm |
 | | All tales, prologues, and "links" must be read, with <b>theb> exception of <b>theb> Parson'<b>sb> Tale and <b>theb> Melibee (<b>theb> pilgrim Chaucer'<b>sb> second tale), which are optional. |  | | Chaucer'<b>sb> manner of fitting teller to tale is a very complex phenomenon that includes not only <b>theb> fact that <b>theb> Prioress must tell a religious tale (and that <b>theb> Miller must not) but also <b>theb> style and manner in which she tells it. |  | | I think there is no need here to explain all <b>theb> points that go into <b>theb> discussion of <b>theb> tales: <b>theb> aubade in <b>theb> Reeve'<b>sb> Tale, <b>theb> anti-intellectualism of <b>theb> of <b>theb> Carpenter and <b>theb> Miller, <b>theb> use of occupatio, and so on. |
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http://www-personal.umich.edu/~tgarbaty/tgmla.htm
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| | Worlds Apart |
 | | <b>Theb> Man of Law'<b>sb> Tale exposes, hence questions, a central dynamic of patriarchal Christianity by which <b>theb> communitas that develops in <b>theb> Epilogue is achieved in response to a tale of exclusion and subordination, a tale that situates men and women, East and West, worlds apart. |  | | He too begins <b>theb> tale with reference to Constance'<b>sb> early years in Rome, but truncates <b>theb> discussion of sources and focusses instead on <b>theb> worthiness of Constance'<b>sb> father, <b>theb> emperor Tiberius Constantius, and Constance'<b>sb> own good name, setting <b>theb> stage for <b>theb> attacks by Envy and Backbiting in <b>theb> guise of <b>theb> two evil mothers. |  | | <b>Theb> Shipman blocks <b>theb> Parson'<b>sb> tale on <b>theb> grounds that this heretic Lollard might corrupt <b>theb> faithful. |
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http://web.english.ufl.edu/exemplaria/schibano.html
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| | SparkNotes: <b>Theb> Canterbury Tales: Plot Overview |
 | | In <b>theb> Prologue to his tale, <b>theb> Man of Law laments <b>theb> miseries of poverty. |  | | <b>Theb> Shipman’<b>sb> Tale features a monk who tricks a <b>merchantb>’<b>sb> wife into having sex with him by borrowing money from <b>theb> <b>merchantb>, then giving it to <b>theb> wife so she can repay her own debt to her husband, in exchange for sexual favors. |  | | <b>Theb> <b>Merchantb> reflects on <b>theb> great difference between <b>theb> patient Griselde of <b>theb> Clerk’<b>sb> Tale and <b>theb> horrible shrew he has been married to for <b>theb> past two months. |
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http://www.sparknotes.com/lit/canterbury/summary.html
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| | <b>Theb> Canterbury Interlude and <b>Merchantb>'<b>sb> Tale of Beryn |
 | | He was familiar with <b>theb> General Prologue and <b>theb> fabliau tales of Fragment I as well as <b>theb> later performances of <b>theb> Friar, <b>theb> Summoner, <b>theb> <b>Merchantb>, <b>theb> Canon'<b>sb> Yeoman, and <b>theb> Pardoner (Bashe; Kohn; Winstead). |  | | <b>Theb> Canterbury Interlude and <b>Merchantb>'<b>sb> Tale of Beryn |  | | A Latin couplet at <b>theb> end of <b>Theb> Tale of Beryn says <b>theb> work was translated by a "son of <b>theb> church of St. Thomas" (Filius ecclesie Thome), evidence that would seem to contradict Tamanini'<b>sb> claims for a lawyer. |
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http://www.lib.rochester.edu/camelot/teams/berynint.htm
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| | CT |
 | | Go directly to: <b>Theb> Knight'<b>sb> Tale, <b>Theb> Miller'<b>sb> Tale, <b>Theb> Man of Law'<b>sb> Tale, <b>Theb> Wife of Bath'<b>sb> Tale, <b>Theb> Clerk'<b>sb> Tale, <b>Theb> <b>Merchantb>'<b>sb> Tale, <b>Theb> Franklin'<b>sb> Tale, <b>Theb> Pardoner'<b>sb> Tale, <b>Theb> Prioress'<b>sb> Tale, <b>Theb> Nun'<b>sb> Priest'<b>sb> Tale, <b>Theb> Manciple'<b>sb> Tale, Chaucer'<b>sb> Retractions |  | | He got this tale from a <b>merchantb> and merchants in <b>theb> tale exchange news of Custance with <b>theb> sultan. |  | | Consider <b>theb> meaning of this tale with regard to <b>theb> on-going intertextual discussion of love and marriage in <b>theb> Canterbury Tales. |
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http://www.english.uwosh.edu/hostetler/CT.htm
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| | Chaucer--Man of Law'<b>sb> Tale |
 | | This passage could be compared with <b>theb> start of <b>theb> "General Prologue" for its location of <b>theb> pilgrimage within <b>theb> cosmic order of planetary revolution, <b>theb> divine order of purgation from sin, and <b>theb> temporal order of <b>theb> pilgrimage to Canterbury. |  | | <b>Theb> tale as told by John Gower is a straightforward moral fable which is proposed as an example of God'<b>sb> superior justice in comparison with <b>theb> faultiness of Fallen human institutions. |  | | For a classical source of this image, see <b>theb> tale of Danae who, with her child by Zeus, Perseus, was put into <b>theb> sea in a great chest that floated to safety under <b>theb> god'<b>sb> guidance. |
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http://faculty.goucher.edu/eng330/chaucerman_of_laws_tale.htm
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| | type_Document_Title_here |
 | | Trevet'<b>sb> tale, as it stands in Les Cronicles, is <b>theb> centerpiece of <b>theb> long vernacular chronicle dedicated, in a number of <b>theb> extant manuscripts, to Princess Mary. |  | | Hence it is perhaps no accident that <b>theb> tale of a virtuous woman, strong in faith, who converts <b>theb> heathen and represents a force for political consolidation of <b>theb> world under Christianity, provides <b>theb> physical and moral center of a book written for <b>theb> entertainment and edification of a worldly royal nun. |  | | Real power in <b>theb> tale is <b>theb> power of God, but it radiates from <b>theb> helplessness of a woman. |
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http://www.geocities.com/growonder/chaucermanoflaw.html
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| | CliffsNotes::<b>Theb> Canterbury Tales:Book Summary and Study Guide |
 | | <b>Theb> Man of Law introduces his tale as one he had heard from a <b>merchantb> long ago, and, therefore, his tale will be about merchants. |  | | In <b>theb> prologue to <b>Theb> Man of Law’<b>sb> Tale, <b>theb> Host notes that <b>theb> morning is quickly passing. |  | | Upon their return to Syria, <b>theb> merchants share their adventures with <b>theb> young Syrian ruler, <b>theb> Sultan, who is particularly captivated by <b>theb> descriptions of Lady Constance. |
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http://www.cliffsnotes.com/WileyCDA/LitNote/id-52,pageNum-23.html
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| | NovelGuide: <b>Theb> Canterbury Tales: Novel Summary: <b>Theb> Sergeant-at-law<b>sb> tale |
 | | <b>Theb> Prologue of <b>theb> Wife of Bath<b>sb> Tale |  | | <b>Theb> virtue and beauty of Constance was well known, and <b>theb> Syrian merchants related her beauty to <b>theb> Sultan of Syria when they returned from Rome. |  | | <b>Theb> Sergeant-at-law learned a tale about <b>theb> evils and woes of poverty from a <b>merchantb> friend who had died. |
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http://www.novelguide.com/thecanterburytales/summaries/chap10.html
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| | OsakaPrints.com (Glossary) |
 | | From about 1750 onwards <b>theb> first and main part of <b>theb> program was usually begun with one or more dances, then a prologue, and next <b>theb> main play based on an historical tale adapted to conform to a particular sakai or "world" decided upon by <b>theb> playwrights. |  | | Motifs from <b>theb> tale were very popular in ukiyo-e prints and books. |  | | More specifically, <b>theb> term jôruri derives from <b>theb> medieval oral narrative Jôruri Gozen monogatari ("<b>Theb> Tale of Princess Jôruri"), which recounts a brief romance between <b>theb> legendary Minamoto no Yoshitsune and a young woman who rescues him during an illness and reveals that she is <b>theb> incarnation of Yakushi Nyorai, <b>theb> Buddha of Healing. |
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http://www.osakaprints.com/content/information/glossary.htm
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| | Books & Reading: Chapter One |
 | | There had been older tales in our villages of <b>theb> Jewish settlements, of <b>theb> women who worked <b>theb> fields side by side with <b>theb> men, <b>theb> sorts of tales peasants and riders brought of unfamiliar things they had seen on their wanderings. |  | | No consoling tale offered by nationalist apologists or by "foreign friends" eager to hide <b>theb> warts could have hid those terrible tales. |  | | Smugglers would slip across <b>theb> border and return with tales of <b>theb> Yahud (<b>theb> Jews) and their settlements. |
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http://www.washingtonpost.com/wp-srv/style/longterm/books/chap1/dreampalaceofthearabs.htm
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| | Chaucer'<b>sb> General Prologue to <b>theb> Canterbury Tales study questions |
 | | Make sure you have read <b>theb> general background information NA 10-12 (on <b>theb> Fourteenth Century), 20 (on Chaucerian verse), 210-15 (headnotes to Chaucer, <b>theb> Canterbury Tales and <b>theb> General Prologue), 310-11 (on <b>theb> close of <b>theb> Canterbury Tales) and 317-19 (headnote to William Langland, Piers Plowman). |  | | <b>Theb> Wife of Bath'<b>sb> Prologue argues forcefully that <b>theb> feminine estates of "wife" and "widow" should be valued as much as that of "virgin." |  | | We will discuss lines 1-42 as "opening signals" for <b>theb> Canterbury Tales as a whole; we will then consider <b>theb> whole General Prologue as an example of "Estates Satire." In order for these discussions to make sense to you, some background information is necessary. |
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http://cla.calpoly.edu/~dschwart/engl203/gp203.html
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| | Chaucer |
 | | Chaucer was both beneficiary and victim of these changes: he was connected by marriage to <b>theb> court; by service, to <b>theb> gentry; and through his occupation as controller of customs and clerk of works, to <b>theb> merchants and bureaucrats of London. |  | | Because Chaucer was <b>theb> first poet to produce major literary works in <b>theb> vernacular, in <b>theb> language of <b>theb> common English people rather than <b>theb> French of <b>theb> aristocracy or <b>theb> Latin of <b>theb> learned clergy, we will read <b>Theb> Canterbury Tales as he wrote it-- in Middle English. |  | | Our objective is to consider, in particular, <b>theb> manner in which <b>Theb> Canterbury Tales reflect and respond to changing social structures in fourteenth century England. |
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http://comptalk.fiu.edu/chaucer.htm
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| | Prologue |
 | | <b>Theb> <b>merchantb> laughed, pulling out of his tunic a medal of Saint Catherine while he looked curiously over at <b>theb> tiny stature who now stood before <b>theb> monk, and said, slowly taking his eyes off <b>theb> girl to glance at <b>theb> monk. |  | | For a second she showed her yellow teeth, then faced <b>theb> <b>merchantb> with a closed smile of acceptance. |  | | Squire Relaéd is a shrewd grasping man to be sure, but he is not <b>theb> devil. |
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http://www.geocities.com/rrjksr/prologue2.htm
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| | READING LIST - - QUALIFYING EXAM |
 | | <b>Theb> Canterbury Tales: General Prologue, <b>Theb> Knight'<b>sb> Tale, <b>Theb> Miller'<b>sb> Tale, <b>Theb> Reeves Tale, <b>Theb> Shipmans Tale, <b>Theb> Wife of Bath'<b>sb> Prologue and Tale, <b>Theb> Clerks Tale, <b>Theb> Merchants Tale, <b>Theb> Franklins Tale, <b>Theb> Pardoner'<b>sb> Tale, Sir Thopas, <b>Theb> Nuns Priests Tale, Retraction |  | | edition]): '<b>Theb> Tale of King Arthur,' '<b>Theb> Tale of <b>theb> Sankgreal. |  | | .,' '<b>Theb> Book of Sir Launcelot and Queen Guinevere,' '<b>Theb> Most Piteous Tale of <b>theb> Morte Arthur saunz Guerdon' [These are Caxton'<b>sb> Books 1-4, 13-17, 18-19, 20-21.] |
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http://userwww.service.emory.edu/~rsutton/quals.html
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| | Geoffrey Chaucer'<b>sb> "Prioress' Tale" |
 | | Chaucer'<b>sb> Prioress is first described in <b>theb> Canterbury Tales' General Prologue in rather sweet and definitely sympathetic terms. |  | | However, these little sentimentalisms become disturbing when she starts to tell her tale. |  | | In this story, a little boy who has comforted himself on <b>theb> way to school by singing hymns to <b>theb> Virgin is set upon by a gang of Jews and murdered. |
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http://www.storybites.com/Chaucerprioress.htm
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| | ALEXANDER POPE - LoveToKnow Article on ALEXANDER POPE |
 | | Dryden had rewritten three of <b>theb> Canterbury tales; Pope tried his hand at <b>theb> Merchants Tale, and <b>theb> Prologue to <b>theb> Wife of Bat/is Tale, and produced also an imitation of <b>theb> House of Fame. |  | | They appeared accordingly in May 1709 at <b>theb> end of <b>theb> sixth volume of Tonsons Poetical Miscellanies, containing conti~butions from Ambrose Philips, Sheffield, Garth and Rowe, with January and May, Popes version of Chaucers Merchants Tale. |  | | What Dryden had touched Pope did not presume to meddle with Dryden was his hero and master; but there was much more of <b>theb> same kind to be done. |
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http://www.1911ency.org/P/PO/POPE_ALEXANDER.htm
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| | Chaucer'<b>sb> career |
 | | ---1382-1400 CT: General Prologue, most of <b>theb> other tales with endlinks and prologues, <b>theb> "Retraccioun," and <b>theb> "Envoys" to Scogan and Bukton. |  | | ---1372-80 Short poems, esp. balades in <b>theb> French courtly style like "Gentillesse" and Trouthe," and some Canterbury Tales (2Nun, Monk). |  | | CT: First version of Knight'<b>sb> Tale, later Balades. |
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http://faculty.goucher.edu/eng240/chaucers_career.htm
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| | Are Russian Jews Descended from <b>theb> Khazars? Analyzing <b>theb> Khazar Theory |
 | | What is hilarious is that Karny contradicts his own sentiments concerning Israel (in <b>theb> Prologue on page xxiii he argues that Jerusalem and Israel aren't as antique as Israeli Zionists claim) and proselytism (on page 346 he writes about how Jews are reluctant to seek and welcome converts). |  | | Inasmuch as <b>theb> famous poet philosopher Judah Halevi (1085-1140) founded his Cuzari on <b>theb> Khozars, <b>theb> tale was thought to be merely <b>theb> poetical offspring of his imagination. |  | | He does this by considering <b>theb> conversion of <b>theb> Khazar people to be merely a "tale". |
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http://www.khazaria.com/khazar-diaspora.html
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| | William Shakespeare Biography |
 | | Romance is also a key ingredient in <b>theb> concluding arias of Shakespeare'<b>sb> next comedy, <b>Theb> <b>Merchantb> of Venice, where Bassanio and Portia, Lorenzo and Jessica, and Gratiano and Nerissa celebrate <b>theb> happy consummation of three love quests and contemplate <b>theb> music of <b>theb> spheres from a magical estate known symbolically as Belmont. |  | | It is possible that <b>theb> "wooden O" referred to in <b>theb> Chorus'<b>sb> opening prologue was <b>theb> Globe, newly opened on Bankside in 1599, and hence that Henry V was one of <b>theb> first, if not <b>theb> first, of Shakespeare'<b>sb> plays to be performed in that now-famous playhouse. |  | | But if <b>Theb> <b>Merchantb> of Venice strikes us now as a play that looks forward to a later phase of Shakespearean dramaturgy, <b>theb> plays he worked on next were a return to his beginnings. |
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http://people.brandeis.edu/~teuber/shakespearebio.html
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| | Geoffrey chaucer - Showcases :: Geoffrey Chaucer’<b>sb> ‘Canterbury Tales’ |
 | | This early and richly ornamented manuscript copy of <b>theb> Canterbury Tales was made within ten years of Chaucer'<b>sb> death. |  | | <b>Theb> fulfillment of <b>theb> entertainment obligation through a burlesque story remains one of <b>theb> highlights of <b>theb> tale itself. |  | | Lesson plans and teaching resources for Chaucer'<b>sb> Canterbury Tales. |
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http://geoffrey-chaucer.surferfind.com
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| | Prologue |
 | | Back then, he was much like Rat, more or less tolerated by <b>theb> merchants of <b>theb> quarter because he didn’t steal from |  | | He was very careful and actually rather wise in never stealing from merchants, houses, or shops in <b>theb> quarter itself, because it was where he lived and he didn’t want to get thrown out of <b>theb> places he depended upon, like fast food restaurants, <b>theb> game room, <b>theb> French Market, or <b>theb> Riverwalk. |  | | He was one of <b>theb> smart kids who stayed away from drugs and avoided <b>theb> gangs, but didn’t raise <b>theb> ire of <b>theb> mob, <b>theb> cops, or <b>theb> merchants. |
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http://sennadar.plebian.net/other/alpha/alpha01.htm
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| | sampleLordofChaos.html |
 | | Since being stilled she could lie like a wool <b>merchantb>, but when she decided to be open, she was as open as a slap in <b>theb> face. |  | | Three clothweavers already insured that <b>theb> merchants would find more than raw wool when t hey came down from Baerlon next year, and decent carpets would be another trade item to bring in more coin. |  | | I mean, <b>theb> bow and <b>theb> braid--every tale mentions those, even if her bow isn't silver--and I can't think she was born with <b>theb> name." |
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http://www.tor.com/sampleLordofChaos.html
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