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| | Chaucer and Religion |
 | | With <b>theb> notable exceptions of <b>theb> Clerk and <b>theb> <b>Parsonb>, all <b>theb> Church-people have lives that seem to be more or less far removed from what might be expected in people of their calling; <b>theb> Clerk is intensely serious at his studies, <b>theb> <b>Parsonb> is said to be living in true Gospel style. |  | | We all agree, I suppose, that <b>theb> Canterbury Tales begins with <b>theb> General Prologue and ends with <b>theb> <b>Parsonb>'<b>sb> Tale and Chaucer'<b>sb> Retraction. |  | | There are quite a number of Tales, and <b>theb> General Prologue itself is perhaps one of them, that are purely secular pictures of <b>theb> 'way of <b>theb> world.' <b>Theb> cunning, thieves and liars, seem to win out over their unsuspecting, or stupid victims, they even boast of it, and there is no certain justice. |
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http://www.sogang.ac.kr/~anthony/Religion.htm
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| | <b>Theb> Manciple'<b>sb> Prologue and Tale - Wikipedia, <b>theb> free encyclopedia |
 | | It appears in its own manuscript fragment, Group H, but <b>theb> prologue to <b>theb> <b>Parsonb>'<b>sb> Tale makes it clear it is <b>theb> penultimate story in <b>theb> collection. |  | | In <b>theb> tale'<b>sb> prologue, <b>theb> Host tries to rouse <b>theb> drunken Cook to tell a tale, but he is too intoxicated. |  | | Read "<b>Theb> Manciple'<b>sb> Prologue and Tale" with interlinear translation |
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http://en.wikipedia.org/wiki/The_Manciple's_Prologue_and_Tale
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| | LIT 2001: Characters in Chaucer'<b>sb> <b>Theb> General Prologue |
 | | <b>Theb> Knight is one of three idealized characters in <b>Theb> General Prologue (<b>theb> other two being <b>theb> <b>Parsonb> and <b>theb> Plowman). |  | | <b>Theb> <b>Parsonb> is one of three idealized characters in <b>Theb> General Prologue (<b>theb> other two being <b>theb> Knight and <b>theb> Plowman). |  | | LIT 2001: Characters in Chaucer'<b>sb> <b>Theb> General Prologue of <b>theb> CT |
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http://www.ivcc.edu/rambo/lit2001_handout_CT_characters.htm
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| | Geoffrey Chaucer: General Introduction |
 | | <b>Theb> <b>Parsonb>'<b>sb> Prologue and Tale: clearly designed to be <b>theb> last tale in <b>theb> collection, this is no "tale" but a long moral treatise translated from two Latin works on Penitence and on <b>theb> Seven Deadly Sins. |  | | Longer introductions to certain Tales: <b>Theb> General Prologue; <b>Theb> Miller'<b>sb> Tale; <b>Theb> Nun'<b>sb> Priest'<b>sb> Tale; <b>Theb> Pardoner'<b>sb> Prologue and Tale; <b>Theb> Wife of Bath'<b>sb> Prologue and Tale. |  | | <b>Theb> Reeve'<b>sb> Prologue and Tale: a fabliau about <b>theb> cuckolding of a miller told by <b>theb> Reeve (who is a carpenter, and very angry with <b>theb> Miller for his tale); two Cambridge students punish a dishonest miller by having sex with his wife and daughter while asleep all in one room. |
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http://www.sogang.ac.kr/~anthony/Chaucer
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| | UCSB Department of English |
 | | CT Manciple'<b>sb> Prologue and Tale and <b>Parsonb>'<b>sb> Prologue ll. |  | | CT Clerk'<b>sb> Prologue and Tale parts I-III ll. |  | | CT Prologue and Tale of Sir Thopas, Tale of Melibee excerpt ll. |
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http://www.english.ucsb.edu/courses/dept_schedule.asp?CourseID=168
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| | Syllabus |
 | | : Manciple'<b>sb> Prologue and Tale; <b>Parsonb>'<b>sb> Prologue and Tale [75-204; skim "<b>theb> seven sins," 950- 2720; 3078-3146]; Chaucer'<b>sb> "Retraction." |  | | : Miller'<b>sb> Prologue and Tale; Reeve'<b>sb> Prologue and Tale; Cook'<b>sb> Prologue and Tale. |  | | : Friar'<b>sb> Prologue and Tale; Summoner'<b>sb> Prologue and Tale. |
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http://www.yu.edu/faculty/haahr/2315/syllabus.htm
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| | CHA-GPTT.htm |
 | | In <b>theb> General Prologue, with regard to <b>theb> amount and nature of his speech, <b>theb> Oxford Student (as pointed out in class) is an ironic comparison-contrast to: (a) <b>theb> Knight (b) <b>theb> Merchant (c) <b>theb> Franklin (d) <b>theb> <b>Parsonb> |  | | In <b>theb> General Prologue, distinctive medieval touches in <b>theb> description of <b>theb> Physician have to do with his use of: (a) knowledge of ancient Egyptian medicine (b) surgical instruments (c) astrology and gold (d) saints' holy relics |  | | One distinctive medieval aspect of <b>theb> "array" of most of <b>theb> men, as described in <b>theb> General Prologue, is their: (a) knives or daggers (b) bellbottom trousers (c) coarse knit shirts (d) three-cornered caps (e) tippets |
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http://www.aug.edu/~nprinsky/Humn2001/CHA-GPTT.htm
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| | 15ch8 |
 | | They cite as evidence apparent ecclesiastical censorship in such items as <b>theb> omission of <b>theb> end of <b>theb> Pardoner'<b>sb> Tale to avoid <b>theb> vulgar quarrel, <b>theb> omission of <b>theb> Shipman'<b>sb> Tale and its link, and <b>theb> depiction in <b>theb> Reeve'<b>sb> Tale of <b>theb> wife as <b>theb> daughter of a swanherd rather than of a <b>parsonb>. |  | | Scribe II reenters at this point to add a single leaf concluding <b>theb> Miller'<b>sb> Tale and presenting <b>theb> prologue to <b>theb> Reeve'<b>sb> Tale (see illustrations 3-5), but he ends this brief stint on f. |  | | 10 Curiously, though, as Charles A. Owen notes, passages in <b>theb> General Prologue and in <b>theb> Canon Yeoman'<b>sb> Tale one would presume to be equally offensive to such ecclesiastics have not been edited |
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http://www.luc.edu/publications/medieval/vol15/15ch8.html
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| | Chaucer--<b>Parsonb> |
 | | Geoffrey Chaucer: Canterbury Tales, "<b>Parsonb>'<b>sb> Prologue and Tale" |  | | <b>Theb> <b>Parsonb> offers to tell his tale "To knytte up al this feeeste and make an ende" (47), implying <b>theb> tale is a summa or logical "summation" of all that has gone before. |  | | <b>Theb> Prologue contains echoes of previous tales reaching back to Fragment I with <b>theb> reference to astrological time, <b>theb> "pley" issue (23), <b>theb> act of revelation ("unbokele and shewe us what is in thy male" [X.26]; compare I.3115], and <b>theb> choice to tell virtuous tales as opposed to "fable" (31-41). |
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http://faculty.goucher.edu/eng330/chaucerparson.htm
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| | Will and <b>theb> Law of Property |
 | | <b>Theb> Plowman may be viewed as a secular shadow of <b>theb> Christian ideals propounded by <b>theb> unblemished <b>Parsonb>, not a fully formed character in himself, but <b>theb> spiritual element of a character which may be adopted by any individual. |  | | Pigg, Daniel F. "Figuring Subjectivity in Piers Plowman C and ‘<b>Theb> <b>Parsonb>'<b>sb> Tale’ and ‘Retraction:’ Authorial Insertion and Identity Poetics." Style 31 (1997): 428-39. |  | | 9;In Chaucer'<b>sb> <b>Parsonb>'<b>sb> Tale, Retraction, and L'<b>sb> C.5, <b>theb> authors engage in a homologue to confession by which they inscribe their identities in their texts and become themselves <b>theb> subjects of poetic reflection. |
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http://www.yls.cornell.edu/bib98.html
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| | SparkNotes: <b>Theb> Canterbury Tales: Plot Overview |
 | | <b>Theb> Friar promises to tell a tale about a summoner, and <b>theb> Summoner promises to tell a tale about a friar. |  | | In <b>theb> Prologue to his tale, <b>theb> Man of Law laments <b>theb> miseries of poverty. |  | | Following <b>theb> Man of Law’<b>sb> Tale, <b>theb> Host asks <b>theb> <b>Parsonb> to tell <b>theb> next tale, but <b>theb> <b>Parsonb> reproaches him for swearing, and they fall to bickering. |
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http://www.sparknotes.com/lit/canterbury/summary.html
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| | SparkNotes: <b>Theb> Canterbury Tales: Plot Overview |
 | | In <b>theb> Prologue to his tale, <b>theb> Man of Law laments <b>theb> miseries of poverty. |  | | Following <b>theb> Man of Law’<b>sb> Tale, <b>theb> Host asks <b>theb> <b>Parsonb> to tell <b>theb> next tale, but <b>theb> <b>Parsonb> reproaches him for swearing, and they fall to bickering. |  | | When <b>theb> Second Nun’<b>sb> Tale is finished, <b>theb> company is overtaken by a black-clad Canon and his Yeoman, who have heard of <b>theb> pilgrims and their tales and wish to participate. |
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http://www.sparknotes.com/lit/canterbury/summary.html
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| | Chaucer'<b>sb> General Prologue to <b>theb> Canterbury Tales study questions |
 | | In this regard, it is interesting to note that <b>theb> <b>Parsonb>'<b>sb> Tale and <b>theb> Retraction together constitute <b>theb> final "fragment" of <b>theb> Canterbury Tales in every manuscript that preserves <b>theb> full collection (see NA 214). |  | | Make sure you have read <b>theb> general background information NA 10-12 (on <b>theb> Fourteenth Century), 20 (on Chaucerian verse), 210-15 (headnotes to Chaucer, <b>theb> Canterbury Tales and <b>theb> General Prologue), 310-11 (on <b>theb> close of <b>theb> Canterbury Tales) and 317-19 (headnote to William Langland, Piers Plowman). |  | | Know what time of day is evoked at <b>theb> end of <b>theb> tales (<b>Parsonb>'<b>sb> Introduction, lines 1-9) and <b>theb> symbolism associated with that time of day. |
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http://cla.calpoly.edu/~dschwart/engl203/gp203.html
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| | harris-1 |
 | | Fragment IX: <b>Theb> Manciple'<b>sb> Prologue and Tale Fragment X: <b>Theb> <b>Parsonb>'<b>sb> Prologue and Tale, Chaucer'<b>sb> Retraction |  | | Fragment I: General prologue, Knights Tale, Millers Prologue and Tale, Reeves Prologue and Tale, Cooks Prologue and Tale |  | | Fragment III consist of <b>theb> Wife of Bath'<b>sb> Tale, <b>theb> Summoners Tale and <b>theb> Friars Tale, which is exactly <b>theb> same as <b>Theb> Riverside Chaucer. |
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http://beowulf.engl.uky.edu/~kiernan/ENG421/Reports/Reports-1/harris-1.htm
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| | Geoffrey Chaucer - Author Find |
 | | <b>Theb> <b>Parsonb>'<b>sb> Prologue and Tale (Geoffrey Chaucer - <b>theb> Canterbury Tales) |  | | <b>Theb> Prologue, <b>theb> Knight'<b>sb> Tale, and <b>theb> Nun'<b>sb> Priest'<b>sb> Tale from Chaucer'<b>sb> Canterbury Tales |  | | <b>Theb> Tale of Melibee (Geoffrey Chaucer - <b>theb> Canterbury Tales) |
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http://www.authorfind.com/geoffrey-chaucer.html
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| | CHAUCER - LoveToKnow Article on CHAUCER |
 | | <b>Theb> sermon on Penitence, used as <b>theb> <b>Parsonb>'<b>sb> Tale, was probably <b>theb> work of his old age. |  | | In 1737 (reprinted in 1740) <b>theb> Prologue and Knights Tale were edited (anonymously) by Thomas Moreli from <b>theb> most authentic manuscripts, and here, though by dint of much violence and with many mistakes, Chaucers lines were for <b>theb> first time in print given in a form in which they could be scanned. |  | | <b>Theb> wearisome tale of " Melibee and his wyf Prudence," which was perhaps as much admired in English as it had been in Latin and French, may have been translated at any time. |
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http://87.1911encyclopedia.org/C/CH/CHAUCER.htm
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| | Chaucer--Friar |
 | | Friars and summoners both circulated freely among <b>theb> folk, and therefore they had plenty of opportunity of becoming "rusted" (or "shitten") as <b>theb> Pilgrim-<b>Parsonb> would say (I.500, 504). |  | | Also, this is not terribly bad advice for a medieval Christian--could <b>theb> Friar be serving a moral purpose in his sermonic scourging of <b>theb> Summoner, even if <b>theb> Friar is, himself, a sinful man? This was a problem that worried medieval Christians, too. |  | | 2) Since this tale follows <b>theb> pattern of a well-known folk tale, <b>theb> Friar'<b>sb> tale-telling strategy has to depend on capturing <b>theb> characters of his "erchedeken,' "summoner" and "feende" as economically and tellingly as possible. |
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http://faculty.goucher.edu/eng330/chaucerfriar.htm
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| | tgmla.htm |
 | | All tales, prologues, and "links" must be read, with <b>theb> exception of <b>theb> <b>Parsonb>'<b>sb> Tale and <b>theb> Melibee (<b>theb> pilgrim Chaucer'<b>sb> second tale), which are optional. |  | | Chaucer'<b>sb> manner of fitting teller to tale is a very complex phenomenon that includes not only <b>theb> fact that <b>theb> Prioress must tell a religious tale (and that <b>theb> Miller must not) but also <b>theb> style and manner in which she tells it. |  | | I think there is no need here to explain all <b>theb> points that go into <b>theb> discussion of <b>theb> tales: <b>theb> aubade in <b>theb> Reeve'<b>sb> Tale, <b>theb> anti-intellectualism of <b>theb> of <b>theb> Carpenter and <b>theb> Miller, <b>theb> use of occupatio, and so on. |
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http://www-personal.umich.edu/~tgarbaty/tgmla.htm
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| | British Literature Study Questions |
 | | <b>Theb> Retraction occurs at <b>theb> end of <b>theb> <b>Parsonb><b>sb> Tale in <b>theb> Canterbury Tales. |  | | How is her tale appropriate to her person and similar to <b>theb> ideas expressed in <b>theb> prologue. |  | | Show how one or two of <b>theb> sources are important to understanding <b>theb> attitudes expressed in <b>theb> wife<b>sb> prologue or tale. |
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http://research.uvsc.edu/mcdonald/britquestions/britsq.html
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| | Worlds Apart |
 | | <b>Theb> Shipman blocks <b>theb> <b>Parsonb>'<b>sb> tale on <b>theb> grounds that this heretic Lollard might corrupt <b>theb> faithful. |  | | <b>Theb> Man of Law'<b>sb> Tale exposes, hence questions, a central dynamic of patriarchal Christianity by which <b>theb> communitas that develops in <b>theb> Epilogue is achieved in response to a tale of exclusion and subordination, a tale that situates men and women, East and West, worlds apart. |  | | He too begins <b>theb> tale with reference to Constance'<b>sb> early years in Rome, but truncates <b>theb> discussion of sources and focusses instead on <b>theb> worthiness of Constance'<b>sb> father, <b>theb> emperor Tiberius Constantius, and Constance'<b>sb> own good name, setting <b>theb> stage for <b>theb> attacks by Envy and Backbiting in <b>theb> guise of <b>theb> two evil mothers. |
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http://web.english.ufl.edu/exemplaria/schibano.html
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| | British Literature Study Questions |
 | | <b>Theb> Retraction occurs at <b>theb> end of <b>theb> <b>Parsonb><b>sb> Tale in <b>theb> Canterbury Tales. |  | | How is her tale appropriate to her person and similar to <b>theb> ideas expressed in <b>theb> prologue. |  | | Show how one or two of <b>theb> sources are important to understanding <b>theb> attitudes expressed in <b>theb> wife<b>sb> prologue or tale. |
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http://research.uvsc.edu/mcdonald/britquestions/britsq.html
(8101 words)
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| | British Literature Study Questions |
 | | <b>Theb> Retraction occurs at <b>theb> end of <b>theb> <b>Parsonb><b>sb> Tale in <b>theb> Canterbury Tales. |  | | How is her tale appropriate to her person and similar to <b>theb> ideas expressed in <b>theb> prologue. |  | | Show how one or two of <b>theb> sources are important to understanding <b>theb> attitudes expressed in <b>theb> wife<b>sb> prologue or tale. |
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http://research.uvsc.edu/mcdonald/britquestions/Britsq.html
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| | chaucer10.html |
 | | In <b>theb> Prologue to <b>theb> Clerk'<b>sb> Tale he refers to John of Legnano, an Italian lawyer, who was an ardent supporter of Urban VI as <b>theb> single true pope of <b>theb> Roman church. |  | | <b>Theb> connection in <b>theb> <b>Parsonb>'<b>sb> mind between pope, merchants, and simony is rational, if somewhat odd, by virtue of his notion that "Espiritueel marchandise is proprely symonye, that is ententif desir to byen thyng espiritueel; that is, thyng that aperteneth to <b>theb> seinturaire of God and to cure of <b>theb> soule" (X.780). |  | | In <b>theb> Summoner'<b>sb> Tale, for instance, we see <b>theb> friar of that tale traveling from door to door collecting donations in exchange for <b>theb> promise that he and his "covent"-mates will pray for <b>theb> salvation of <b>theb> gift-givers. |
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http://www.geocities.com/Athens/Delphi/9976/chaucer10.html
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| | Chaucer Pedagogy: Teaching Notes |
 | | We know that Fragment 1 (<b>Theb> General Prologue, <b>theb> Knight'<b>sb> Tale, <b>theb> Miller'<b>sb> Tale, <b>theb> Reeve'<b>sb> Tale, and <b>theb> Cook'<b>sb> Tale) begins and Fragment 10 (<b>Parsonb>'<b>sb> Tale and <b>theb> Retraction) bound <b>theb> others. |  | | Genre: confessional autobiographical prologue (compare to <b>theb> Pardoner'<b>sb> Prologue); <b>theb> wife reveals her view of life and her history in her prologue. |  | | Finally, <b>theb> Canterbury Tales is a fiction about tale-telling and therefore about language, reality, perception, motivation, and <b>theb> other things that make us human, and drive us to distraction, and make life interesting. |
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http://hosting.uaa.alaska.edu/afdtk/tnotes.htm
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| | <b>Theb> Wife of Bath |
 | | <b>Theb> Wife of Bath<b>sb> Prologue and Tale, <b>theb> <b>Parsonb>'<b>sb> Prologue and Tale, and <b>theb> Retractions |  | | As a wife and mother, Margery is no saintly virgin; she is far from an "estates ideal" like <b>theb> <b>Parsonb> or <b>theb> Plowman in <b>Theb> General Prologue. |  | | In <b>theb> Remedy for <b>theb> Sin of Lechery, <b>theb> <b>Parsonb> strictly defines a wife<b>sb> duty to her husband, a husband<b>sb> responsibilities to his wife, <b>theb> limitations on sexual conduct consistent with Christian moral practice, and celebrates chastityall in direct contrast to <b>theb> Wife<b>sb> ebullient argument. |
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http://faculty.winthrop.edu/kosterj/ENGL201/chaucer3.htm
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| | Jo Koster SEMA 2000 |
 | | Click here to see <b>theb> end of <b>theb> <b>Parsonb>'<b>sb> Prologue from <b>theb> Ellesmere Manuscript. |  | | Click here to see <b>theb> end of <b>theb> <b>Parsonb>'<b>sb> Prologue from <b>theb> Hengwrt Manuscript. |  | | Click here to see <b>theb> contested passage from <b>theb> Wife of Bath'<b>sb> Prologue in Ellesmere. |
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http://faculty.winthrop.edu/kosterj/scholarly/sema2000.htm
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| | Jo Koster SEMA 2000 |
 | | Click here to see <b>theb> end of <b>theb> <b>Parsonb>'<b>sb> Prologue from <b>theb> Hengwrt Manuscript. |  | | Click here to see <b>theb> end of <b>theb> <b>Parsonb>'<b>sb> Prologue from <b>theb> Ellesmere Manuscript. |  | | Click here to see <b>theb> contested passage from <b>theb> Wife of Bath'<b>sb> Prologue in Hengwrt. |
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http://faculty.winthrop.edu/kosterj/scholarly/sema2000.htm
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